Thursday, August 18, 2011

Nests

Nest by artist Benjamin Verdonck on a sky scraper in Rotterdam


This summer has been highlighted by a Nature program which played itself out on our front porch. In June a robin took over my window box, built a nest and laid four beautiful eggs.

 
By mid June the eggs had hatched, and four baby birds were gulping down large and juicy bugs. 

Eventually they grew actual feathers, got too big for their home and pushed each other out of the nest. We witnessed four awkward, but successful launchings.


After they left, I got a new geranium plant to replace the dead pansies. Barely two days went by, a new robin arrived, and a new nest got started. Soon the nest looked finished but the mother had disappeared. I thought, “She's gone to find a quieter neighborhood, I'll take this nest to photograph and paint.” (an Audubon no-no, by the way). 


Later that same day I went back to water my plant, and there, in the dirt, was a bright blue egg. Shamed...I ran back...got the nest and put the egg inside. ( OK.. by Audubon, by the way). Later in the week there was a second egg. Soon the mother robin got used to me going in an out the front door, a midwife to her eggs. One day, one was missing, nothing on the porch or ground or anywhere near the nest. Two days later, while weeding in the driveway I discovered a half empty shell.


Forensics tells me it was probably a raccoon. Our garbage can had recently been rifled. Little prying fingers had managed to lift the lid despite bungee cords wrapped around all three handles, top and sides. Fortunately the remaining egg stayed safe and eventually hatched a pathetically runtish bird.
 
It struggled to raise its heavy head. Despite the lack of brothers and sisters to “egg” things along that bird too eventually fell out of the nest, found it had feet, and stumbled across the driveway into the woods. The mother Robin was chirping madly from the tree tops. 

Both she and my psychic abilities tell me all five birds are doing well. 

What's fun about these events is how things keep showing up in your life. When I was teaching one of my more popular lessons was to make a nest. Students had to identify their surroundings, their persona as a bird and make an assemblage/nest. I got some great results and had a lot of fun myself researching the art and craft of bird nests. Constructing a nest is no small task as you can see by the pictures below. Interspersed with bird factoids are also pictures of artists' creations I discovered on the web. 

Award winning tight weave
Large Nest by the Hammerskop
 
Dutch design studio BureaudeBank created a nest of 300 individual silver twigs that hold together much the same way twigs of a real nest do. Designed for a client needing 300 business gifts, each twig symbolizes an important business relationship: if any twig is removed, the nest will fall apart. 


--> a Minimalist

Bird nest by two Zebra Finches presented as art by Bjorn Braun
(Appropriation perhaps?)

Friday, July 8, 2011

MONO-HA

Lee Ufan Dialogue oil on canvas

I recently found out about the artists of MONO-HA, which translated from the Japanese means the “school of things.” Lee Ufan is having his first American exhibit at the Guggenheim and there was a charming article in the New York Times describing his process of choosing rocks for his pieces.
He paints as well, as per example above. Basically, as translated from Toshiaki Minemura's catalogue essay from a previous exhibit, MONO–HA consists of “artistic language from things as they stand, bare and undisguised, letting them appear on the stage of artistic expression, no longer as mere materials, but allowing them the leading part”. This is a fancy way of saying, it is what it is. To be the work of MONO-HA, the piece should only reference itself; no ideology, no metaphor, no politics and no emotive content beyond the viewers response.
I was intrigued; researched and here are a few examples, I responded to.

Phase Mother Earth by Noburu Sekine
The earth is taken from the hole, packed and shaped accordingly.

Koji Enokura's cement wall between two trees

Sumi by Kastsuhiko Narita

Mono-Ha started in the late 60's and some commentators say the Italian movement arte povera was an influence. But like all schools of art (or things).. the inspiration came from many sources, not the least, Zen philosophy. Because of its historical basis, coming from an era when many artists were rejecting industry and “objecthood”, MONO-HA work looked radical ... as did the Earth room by Walter de Maria, made in 1977.


I visited the Earth room several years ago and found it still very effective. The smell, confined in what is a relatively small space, really charges the piece as does the color and textural richness of the soil. My response was to want to jump in. The plexigalss barrier makes it feel like a pool. Walter de Maria is considered to be an Earth Artist but the intention of this piece is very closely aligned with the efforts of MONO-HA. Not surprisingly as I looked more closely at the work of each Japanese practitioner, their personal style comes through. Granted, the material and its relationships to the space and the other elements presented, are primary. But the propensities to certain shapes, colors and modes of presentation run consistent within each artist's work. Their self comes through their choices, quietly perhaps.. but none the less, very firmly present, like the piece of iron placed behind the rock in Ufan's work below.

Lee Ufan Relatum

This quote, which was included in one of the commentaries sums it up:
“In order to designate reality, Buddhism says sunya, the void; but better still: tathata, as Alan Watts has it, the fact of being this, of being thus, of being so; tat means that in Sanskrit and suggests the gesture of the child pointing his finger at something and saying: that, there it is, lo! but says nothing else…”
Page 5, Camera Lucida, Roland Barthes.


That being so. My photo of the robin's eggs, shared on facebook and sent out to friends, elicited a number of remarks as did the LO! coming from myself. What creates that blue? What an incredible miracle of color! My research on that score came up empty. There is no credible explanation. So, besides letting you know that the eggs hatched and all four birds, left awkwardly but successfully, I present you my MONO-HA.:


LO!
Susan Richards 2011

Wednesday, May 4, 2011

Pictures/Pictures

Times Square

I went to New York City a few weeks ago. I went specifically to take pictures as well as look at pictures. So the following are some thoughts as I looked over my results. My first stop was MOMA where I had started a series last year of pictures of people taking pictures of pictures. If you are in the younger age bracket it does not seem to be an anomaly to see people taking pictures in museums. But for me, it still seems surprising and intrusive.....I know that's twisted..because I do it myself !!

When I was in high school I worked for a short time at MOMA as a volunteer in the publicity department. In 1967 it was still a small museum. Back then you could see the whole collection in a couple of hours. I helped sort and file clippings about the museum. There were large notebooks full of pictures of the collection. It felt like having access to a treasure trove, both the in the notebooks and the museum. If you wanted to get a picture of a painting you either had to buy a postcard, purchase an entire book or make a special request.

Now anyone can collect from the collection. Here is an example from my collection.

George Washington by Thomas Sully at the MFA Boston

If you would like to see more you can go to this site where photographers and graphic artists are showing their work: http://ree.viewbook.com/album/richardssusan#1 I am on this site for a short time because I submitted a selection of my photographs to a competition.... all through the internet..no slides, no prints...just stumbling through tech hoops to get it done on time.

The biggest change in museum going these days, besides the huge crowds, seems to be this lust for interaction with art and the digital. Whether using the shots for phone mail, on web sites, blogs or face book..we all are saying I WAS HERE ! ...or..maybe ... Now this is mine !

Sometimes these souvenirs end up connecting to something else and then, ...click. You have your inspiration. My own collection has a variety of themes and the happy accidents and connections are apparent.


Jackson Pollack







I also went to the Japan Society for the first time and saw the show Bye Bye Kitty. It was terrific. A great change from the animae and high tech pieces we have been seeing from Japan the last few years. My favorite artists from the show (which I was not allowed to take pictures of ) were: Manabu Ikeda: (This you cannot experience by photo).

In fact when you see this piece, which is about 6 x 8 feet, you are given a magnifying glass so that you look all the things that are going on in this tree. The title is Existence. It's ink and acrylic on paper...and took over a year to do. Here is a web site where you can get details and other examples of his work:

http://www.artinconnu.com/2010/12/manabu-ikeda-b1973.html

I also loved the exquisite technique of Tomoko Kashiki.

This painting is called Shadow Play and is acrylic on fine cotton, mounted on panel. You can't see the lovely textures this has...very delicate, smooth, semi gloss to matte transitions of paint within the image. These reproductions are from the catalogue I purchased. Needless to say, all art must be seen in person to really experience. The subtlety of texture, even in high resolution, is no match for the real thing.

Google is now bringing art works closer to you in all kinds of ways. Here's a link to the Sistine Chapel you can explore in 360 degrees!.
I finally got there last year and though it's nice not to have the crowds.. you don't get the smell of age in the chapel or of Rome itself.

My last shots are from NYC.

Signage is so much fun. Someday I want to work with this...

Here's entertainment in Washington Square. He bills himself as the happiest man on earth.

and an Art bookstore in Chelsea..

I still love old school page turning...

Thanks for reading!




Sunday, March 6, 2011

Spring


It's almost here !
This lovely sculpture is in the Smith College museum and is called Spring. Following are a collection of images I have taken at various museums throughout this last year. I collect the pictures for inspiration, research on my projects and as gifts I send out to friends. I know I am not alone in my collecting. All the museums are ubiquitous with others doing the same. They are even posing in front of paintings or take snaps imitating the models or sculptures. I have started collecting images of the collectors, collecting and hope to put them together in a book. Yes... pictures of people taking pictures of pictures...??? I have yet to know how this will play out or exactly how I think about it... let me know.

This is one of the popular photo ops at the new American wing at Boston's MFA. (Notice that it is the same proportion as the iPhone.) The colors are not quite true. Try as I might, photo shop cannot recreate the beauty of this window. The glass in the gold fish bowl is smokey and milky. Enlarge and you can see how the colors are distortions and reflections of the branches around it...fantastic!

Louis Comfort Tiffany Parakeets and Goldfish bowl

The new American wing galleries recreate the various eras in American art and include furniture and objects as well as painting and sculpture. The framing on many of the paintings seems to be original and if not, are entirely appropriate as well. This painting goes out to my fellow artists Ellen and Arthur who are big Sheeler fans.

Charles Sheeler Iron and Ore 1953

Athur Chartow also paints the industry of America though the feel is radically different from the optimism of Sheeler's time. Connect to his site at: http://www.arthurchartow.com

Arthur Chartow View of Zug Island 2009

Also at the MFA in the Japanese gallery is a display of tea ceremony bowls and implements and this is a basket that would be used to hold a flower arrangement. It looks like it has clay in it but that is not in the descriptor with the piece. I am going next week to a workshop on the tea bowl which is being done in conjunction with this show. There are visitors and ceramicists from Japan coming to the Harvard Ceramic Studio..they always do a great job.

Nagakura Ken'ichi b. 1952 Dancing Star bamboo and rattan 2008

This next painting is by Horace Pippin. One of my favorites. This is from the Museum of Modern Art, "collected" last fall. Pippin who was self taught, was crippled in the first World War and struggled to paint with his injured arm.

Horace Pippin Lady of the Lake 1936


Horace Pippin Country Doctor 1936

This is the painting, at the MFA, that I first saw years ago that totally charmed me. I hate to remind people of winter but the way he did the snow is a mastery of dry brush. And the greys are right on. Again, a must see in person.

I also visited the newly refurbished Addison Gallery of Art at Andover Academy, twice. The first time to see the new installations..another beautiful job..and it's free! Here's another classic American painting by a self taught artist.

John Fredrick Peto Discarded Treasures year?

Notice the price on these discards. Hopefully books will not be totally discarded in my lifetime.

Also at the Addison Gallery at a recently closed show, I got in trouble taking photographs. I have gotten so used to feeling free with my camera. I was collecting pictures from the Sheila Hicks exhibit for my daughter who was not able to go. Sheila Hicks' small works are like paintings. I liked the section I highlighted from this label. It's good advice for any artist, in any media. We get complacent with our choices.

Here's one of her larger pieces...so silky!

and...ironically, this little one is called self portrait.. The camera focused on me!..
On my last shot for the show I was accosted by a guard asking if I had permission.I lied..and said yes! I beat it out of there..feeling guilty all the way home. There is a beautiful book that goes with this traveling show so if you want to see more, check that out and research her on line at http://www.sheilahicks.com

This last picture of a person taking a picture, of a picture, is from my fall visit to Moma. I don't know if Gertrude approves, do you?

Susan Richards Woman Reviewing photo of Picasso's portrait of Gertrude Stein 2010

Friday, January 21, 2011

January

No writing: just pictures and lots of ***********************
















These are photos of a real snowflakes by Vermonter Wilson Bentley:
And more coming Wednesday.